One shooter, start to finish. Every project is quoted before it starts, and the number holds unless the scope changes.
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The film everything else comes out of
The anchor piece. Shot where you train, while people are actually training. One shooter on the floor instead of an eight-person crew at 6am. It cuts down into everything else you need for the next few months.
One hero film · vertical cutdowns · stills from the same day
Ask about brand films02
Shot vertical, not cropped later
Reels, campaign cutdowns and promos framed vertical on the shoot day rather than salvaged out of a horizontal edit afterwards. You can see the difference in every frame where nobody's head is clipped.
9:16 reels · campaign cutdowns · promos
Ask about social content03
Garments on athletes, not on hangers
Your drop on real athletes, in real gyms, moving. Hard light, dark rooms, and the product still readable. Plus the flat-lays and stills the launch needs for product pages, email and paid static.
Launch film · seasonal drops · product and lifestyle stills
Ask about apparelA hero film for your site, vertical cuts for social and a stills library for everything else. Graded, named and exported at the sizes each platform actually wants, not a folder of raw files.
Still
Still
Still
Still
Still01
Tell me the brand, the goal and the deadline. You get a flat quote before anything is scheduled, and the number holds unless the scope changes.
02
Concept, planning, filming. A creative partner on the floor, not a camera for hire.
03
Graded film, vertical cutdowns and a stills library, exported at the sizes each platform actually wants. Named, organized and ready to post, not a folder of raw files.
Most people aren’t. Tell me the goal and I’ll tell you what it takes.
Book a shoot